Along with more traditional performances in more conventional spaces, Agora Dance is known to break from tradition in both its choreography and its selection of performance spaces—like an alley.
Philanthropic Platforms – choreography by Sam Horning, performed by Cyndal Gilmore and Melissa Lineburg (not shown)
I love fire. Not so much for its consumptive or destructive nature (although that deserves fascination and respect), but more for its fluidity, its continuous reinvention of itself, its ever changing color and its ability to synthesize seemingly disparate qualities. It is formless form. And watching it — even while your brain screams “danger” — the flickering dance of its flames seduces you and draws you into it’s trance.
fire and light 6
I love projection art. The motion of color being painted onto huge canvases of concrete and brick — all in real time and all in front of your eyes. It too is formless form. And despite knowing that is is merely projected phantoms, you are nevertheless drawn toward the light. Continue reading